Friday, March 28, 2008

Bye Bye Bionic Woman.

After a - by US standards - poultry 8 episodes, the remake of the 70s show is now merely (allegedly) awaiting the official confirmation of its cancellation.

Some might blame the poor timing of the writers' strike but that seems likely to only be an aggravating, rather than causal factor. The simple fact of the matter is that the show was weak, derivative and rather prosaic.

Ever since Buffy and Xena popularised the idea of ass kicking wise ass heroines, we've had a slew of them on our screens. Bionic Woman just goes to show that you can't simply cross your fingers and hope that it'll magically work... and it's very easy to see the similarities to Buffy here. Girl living an ordinary life, gets abilities, has to start fighting bad guys... except of course, whereas Joss Whedon had a rather well articulated metaphor of High School literally being Hell, Bionic Woman went for the rather more tedious Alias angle... fitting that spying in with class, home life and of course, romantic dalliances. At least we didn't have to suffer any Bionic wigs...

It's simply somewhat tedious that there seems to be a compulsion to portray strong women as capable of doing so many roles, so flawlessly that they're essentially perfect and hence, rather shallow and uninteresting characters. Our Bionic Woman is pretty much capable of - on any given day - keeping her somewhat rowdy sister in line and fulfilling her role of surrogate mother, doing an A-grade paper and of course, smashing whatever evil criminal/terrorist gang there is out there and probably managing to flirt with some preternaturally handsome romantic interest too. Women are supposedly better at multi-tasking but that might be pushing it - still, at least she was more likeable than agent Sydney Bristo.

In truth, the ease with which parallels can be drawn to other female led shows the inherent problem with Bionic Woman. It was very much paint by numbers - specifically other people's numbers. Beyond her superhuman abilities - and these days, that's not exactly a unique selling point - there wasn't much to recommend it. The mish-mash of elements never really allowed anything to shine through. There's action but it's not awe inspiring, there's drama but it's not going to knock your socks off, there's humour but it's fairly bland.

Bland, prosaic, mediocre... all apt words to describe the show. It's an inoffensive way to pass the time but so much so that you may find yourself unable to really recall WHAT exactly happened... Oh, there were probably some terrorists in there... something about a bomb but details will be dim. Really, the best thing about the show was Starbuck being the "evil" Bionic Woman and her roll was rather transitory. All in all, the show is - or was - a perfect storm of bland and it's cancellation should not be mourned.

Thursday, March 13, 2008

While SG-1 may have - thankfully - been put out to pasture and shot repeatedly in the head, it's legacy lives on in a series of straight to DVD releases. Never stop milking a cash cow until it's dead.

Naturally, the last season of SG-1 ended on a bit of a "meh"... with plenty of loose ends and no real resolutions to the current problems the Milky Way faced at the hands of the Ori. Enter - THE ARK OF TRUTH to give us some kind of closure on the whole thing.

Despite having managed to follow the paint by numbers instructions on their deus ex Ascended being killing plot device 4000, the Ori's followers are still going around the galaxy with more zeal than a televangelist and a LOT more fire power.

Where one deus ex plot device failed... another will surely succeed. Enter the Ark of Truth. SG-1 are -naturally - the only people in the entire universe to be entrusted with finding it and hence we start with them, looking... when they bump into Erin's old boyfriend. After some jiggery pokery, they manage to get him to join them and they head back to SGC for cakes and rigorous interrogation by the new IOA douche.

For those who don't know or have forgotten the IOA are the latest in a series of governmental/bureaucratic foils for the brave, anti-paperwork SG-1 heroes... there have been many variations on the theme but essentially they're always meddling for nefarious purposes or just plain stupid. Robert Picardo's petty bureaucrat pales in comparison to the aggressively asinine behaviour of the new boy.

As it goes, the SG-1 team have to take him along as they look for the Ark and the friction between him and Mitchell couldn't have been more by the numbers if it tried. It's been pretty much the same with all the douchebag bureaucrats. Anyway, he's along for the ride and as it turns out after things finally get going... he decides to sabotage his own side by... DUN DUN DUN! Unleashing Replicators. Yeah. Fan favourites.

To be honest, it takes some of the impact out of defeating probably the greatest enemy the SGC EVER faced to just be able to recreate them... and to be honest, you have to question the wisdom of using them to defeat the Ori... Yes. They probably could take down the Ori... but the Replicators aren't really interested in one galaxy. They'd probably prefer to take all galaxies and given their original appearance, it seems likely that after overtaking the Odyssey they'd not hesitate to come to the Milky Way - again. So, in the long sad history of bad ideas... it seems to be another very big one.

On the plus side, at least these are ACTUAL diabolic mechano and not the rubbish T1000 ripoff human form replicators that low budgets have subjected us to in recent years. Nope, these are bonafide evil mechano spider things. Which is for the best. When Replicators became people, it made them tedious. Their whole schtick was that they were faceless and inhuman... Of course, in what amounts to poetic justice IOA douche gets mauled and taken over by Replicators... It's actually fairly stupid. Robozombie.

While this Replicator related fun is transpiring, Daniel, Teal'c et al are searching for their much needed insta-win device on the Ori's home planet. The lone Replicator has been true to its name and there are plenty of them... Quite why they didn't chase after it when the ARG failed isn't elaborated upon. Idiocy seems the likely answer... Anyway, the Ori show up as part of IOA's diabolical plan to use the Replicators to take the Ori out, so the ship skedaddles.

It's around this point that you'll notice it's taken 40 minutes for stuff to actually happen... regardless, it's with incredible ease that Daniel et al find the Ark of Truth. They pretty much waltz in, pick it up and then get captured... except Teal'C, who gets left for dead. Despite the pivotal importance of what happens on Celestus... it feels pretty much like an after thought to the action on the Daedulus.

Which isn't a bad thing... Replicators have always been a fun enemy. The SGC personnel pulling out their shotguns and pumping out hundreds of rounds of ammo - it should be noted that there is actually a scene where Mitchell RUNS OUT OF AMMO! Possibly for the first time in Stargate history. Fully automatic P90s can fire 900 rounds a minute and have a clip of 50 bullets... why it choose this moment to stop having an infinite amount of ammo... we may never know. Also, watch out for the most unnecessary and gratuitous use of profanity since the Transformers Movie.

So, ignoring the somewhat tedious Celestus events... The Daedulus is being taken over by Replicators, they're resistant to the Anti-Replicator Guns but there's a shut-off code. Of course, as it happens the person who knows where the shutoff code is, is the IOA type... who has now become ROBO-IOA HUMAN-REPLICATOR THING! It looks fairly stupid and the notion of Replicators being able to integrate into a person like that to extract knowledge is even more so. Robo-Douche starts beating Mitchell up... I can't blame him. As you may expect, a guy full of metal isn't really phased by getting shot or punched. Or even - as it turns out - getting exploded. Fortunately though, unplugging the Mechano from his brain lets him tell Mitchell that the plot device to deactivate the Replicators is on the back of the crystal. After getting beaten up a little more he manages to tell her this and then blows up the queen Replicator and gets TOSSED from the room.

Someone had clearly been watching Terminator because the explosion leaves a big Replicator style Terminator endoskeleton rip off leering at Mitchell and random soldiers shoot at the innumerable normal Replicators - but then, Sam finds the off switch! The Replicators all fall to pieces. Which just leaves the Ori ships surrounding them, happily firing away.

Probably best to elaborate upon the fact that Daniel has escaped captivity and has had a tete a tete with Morgan Le Faye, the Ancient who has made their journey ridiculously easy... Of course, this is when find that Adria has Ascended and has taken the God complex to its logical extreme. Fortunately, the Ark of Truth is sitting on an unstable table and while laughably distracted, Daniel works out how to switch it on, a Prior comes in and Teal'C shoots the Ark so it falls and the Prior - literally - sees the light. If it sounds contrived, it's because it is. Then - because it's an insta-win plot device - everything is ok!

There's a little time to wrap up but that's about it...

All in all, it feels rather rushed. In fact, it feels as if you've dropped into the middle of things. Given that it takes a long time for the action to get under way, this is probably a blessing in disguise but the action isn't particularly amazing - especially for a movie, even a straight to DVD one. There have actually been more action packed, special effects laden episodes... namely the original appearance of the Replicators... this feels rather cobbled together. The use of Replicators proof - if needed - that the SG-1 vehicle has been tapped dry of ideas. The introduction of an IOA douche seems unnecessary - he has literally no chance for character development before he's locked away and Replicatorised. It seems there had to be someone else they could have used that had some history and despite the fact the IOA are consistently depicted as bureaucratic idiots, this one takes the biscuit. It feels as if they wanted to wrap up the ill advised Ori arc but didn't really know what to do, so they just contrived another deus ex plot device - Stargate is pretty much littered with them, really - stuck in some mandatory action and had it all wrap up in the obligatory 90 minutes.

It feels as if all of this could have been done just as well in an episode - which somewhat highlights the obvious point of this DVD. Money... Which isn't surprising but it doesn't offer the impact that has been achieved in the series. There was little real tension here, no characters were in danger of being developed and no special effects risked awesomeness when they could stick to tried and tested. In short, it's a disappointment. It doesn't have much of a plot to speak of and the action - while putting B5's rather dreary Lost Tales to shame - is nothing the numerous Replicator episodes haven't done before... often better. In fact, it feels as though some of those episodes were gutted and then copied and pasted to fill the immense holes in plot and pacing here.

It's a small mercy that we weren't subjected to the irritation of budget pleasing human form Replicators but really, that's the only good thing you can say about this effort. It's got the A to B to C style plot feel of The Matrix: Reloaded... Earth is threatened but nothing much happens about it. There was a great chance for another great big guns blazing Earth defence battle like they had when Anubis got around to attacking Earth... but no, the Ori sit on their hands for no discernible reason, giving the magical win device time to do it's thing and for Adria to be banished or whatever.

It just feels flat. There's conflict... but it feels so by the numbers... or that you might just have accidentally put a regular episode in... surely this kind of project - which will rake in the dough -should be giving the viewer more bang for their buck? There really isn't a huge amount of that. It simply lacks any real punch. Yes, it's more Stargate but really, after 10 years - we've had enough.

Wednesday, March 05, 2008

After a mere 9 episodes, the first season of Terminator: The Sarah Connor Chronicles, has concluded.

It's been a tradition, especially in recent years, to end on a bang. To make sure that people are on the edge of their seats for the next few months until the show returns to the air... logically a show that involves a small group of people, fighting to stop robots from the future killing them/creating a computer that will precipitate a nuclear war that kills billions and then round up the survivors for summary execution - that should involve one helluva bang, right?

There was no bang... barely even a fizzle. Quite what the point of having the two episodes together was is unclear as well... perhaps as a fiddle for ratings because they seemed no more related than any of the other episodes. In any event those expecting a return to the action packed, tense and compelling action and drama of the pilot, you can forget it. That seems to be a momet that will never be remembered.

Not that the final episode doesn't tease you with the prospect of some action... but when said action occurs, it's witnessed indirectly... in an artsy style. It merely serves to show how weak the link between Cameron's films and this TV series is. Time and again, this show has tried to replace action with tension... it goes without saying that an excess of action can become tedious... and hence, there is a need for the tension, the suspense or simply the waiting in between... but then, at the opposite end of the scale... there's the excess of tension. Sarah Connor Chronicles doesn't even do that well... there's this tension, between almost all the characters... but it's not building or changing... it's just there.

The pilot set a bar for the show, a high bar. There was action, drama, explosions and tension... all nicely knitted together. The change of pace for the rest of series was like hitting a brick wall in a jet fighter. There are clearly numerous issues with the format that weren't considered... mostly, what do you do with a TV budget to imitate a franchise well known for its action set pieces... the answers is just hope people forget that part.

The lack of action might have been forgiveable... but... the core cast was... at best unengaging and at worst, irritating. Sarah was easily the most irritating. For someone who is supposed to be teach her son how to save humanity, she's really doing a lot of mollycoddling and teaching him how to be a pussy.

The Summernator - aka Summer Glau... it's hard to tell whether the girl has a pathological inability to act or whether her stint on Firefly made her a prettier, blander Buffy. While she is quite frankly preferable to Sarah Michelle Gellar - that's a lot like saying it's better to slam your hand in a door, rather than having poured boiling water on it. Clearly, at some point someone thought "it would be great if we could get her to do the unintentional humour again!" but then didn't bother getting people with the comic skills to do it... Not to mention the fact that her personality in the first episode is apparently turned off in the rest of the show. Shows of her trying to be "more human" are so prosaic, hackneyed and utterly cliché in all honesty, they'd have achieved better results sticking her face over Data's in scenes from TNG.

And of course, the "great" John Connor. It's somewhat hard to believe a whinging, momma's boy will lead humanity. Terminator 3 may not really have made him seem much better but at least he wasn't on his mother's apron strings. The John Connor of T2 was computer savvy, had attitude, leadership... you could see the emergent qualities of a leader in him... with Chronicles John... he's just another teen... WHY IS HE AT SCHOOL!?

His mother is over protective of him, to the nth degree... and yet, she puts him into school? Why? Is that going to help in the war against the machines? Somehow it seems unlikely that even LA will have classes on how to wage guerilla warfare against a numerically and technologically superior enemy. Anyway, while it might be an "ordinary" life... it seems like a strange move as it's clearly putting him in a fairly exposed environment.

Although, his mother acts - by and large - erratically. She wants to destroy Skynet before it's created but, oh - John, off you go to school! There seems to be an inherent conflict between preparing your son to be the saviour of humanity and trying to let him have a normal life... much as there is an obvious clash of interests between her deranged maternal instincts and constantly taking him out on dangerous missions.

The only interesting or likeable character is the hapless FBI agent who is following in the footsteps of the Connors. It's interesting to see how he finds the clues and starts to piece together the truth of Sarah's life. Not that he likes what he finds... Which makes it all the more interesting.

To another, more technical aspect... Perhaps one of the most iconic aspects of Terminator was the Terminator's eye view. The red tinged perspective, scrolling data, analysis... it portrayed the cold, calculating nature of the machine that walked as man. So... to show a Terminator's perspective without it? It's beyond lazy... it just removes that feeling and the way it was used felt like lazy storytelling and a betrayal of something so intimately associated with the film franchise.

The final episode - as mentioned, unrelated to the penultimate - sees the Connor crew finally get their hands on a meaningful lead on that pesky machine, The Turk. To be honest, the Turk subplot has been pretty dull since Andy died... and Sarah's mourning over him is beginning to grate and obviously, we're going to have to endure more of it as the Turk is still MIA.

The other aspect is our FBI friend tracking down the Cromartie... final score, FBI 0 - Robot from the Future 12. Of course, we see literally NO action. Just people getting tossed into the pool. Just typical of the anti-climactic nature of the show thus far and in truth, if you can't go out on a bang people's interest will wane as quickly as the ratings of this show.