Tuesday, July 17, 2007

She-Hulk fans were always deeply divided over Dan Slott as the writer on the third incarnation of She-Hulk's solo title... some found his joking, verging on fourth wall violating, slapstick anathema... otherwise couldn't get enough of his humour driven stories and wackiness but love him or hate him, he's now moving on to pastures new. Clearly some people approve of the work that Mr. Slott has been doing, as he's getting to play with Your Friendly Neighbourhood Spiderman... which is probably the comic book equivalent of getting promoted from pencil pusher to management.

Putting aside the oft criticised artwork... just how did Slott's run fair? In terms of sales? Quite well, consider She-Hulk is a second stringer and considered by many fanboys to be a derivative character - probably not helped by the fact she was expressly created for the purposes of securing a copyright on a female Hulk type character... although, it's hard to judge objectively as (especially in recent months) there have been a great number of tie-ins and guest stars. Not least, Civil War and the build up to World War Hulk... which inevitably will have had a beneficial effect on sales.

The comedy certainly wasn't to all fans taste and in many ways, that's understandable. It was often over the top, almost showing off... and in may ways, didn't help the image of She-Hulk that Byrne created... a comedic character, not to be taken too seriously. Dan didn't make that mistake though, in between the kooky there were many moments where Jennifer Walters is forced to evaluate her life as She-Hulk and introspection on duality.

In fact, Dan was rather apt at plumbing this source of angst and creates the circumstances that force Jen to try and understand and come to terms with her powers in a way she hasn't ever had to before. Not least, she had to deal with some of the fallout of the events of "Search For She-Hulk" and "Avengers Disassembled" - most poignantly in "Bone". Which clearly demonstrates that Dan has more strings to his bow than just humour.

For all the flaws that might be perceived in Dan's work, it's undeniable that he has firmly established She-Hulk as more than just a female Hulk. Jennifer's duality is very much the focus of the comic and how she deals with - and sometimes denies - it. The fact Jennifer is forced to be human to work at the law firm does make for more interesting results and her transformation anxiety is an interesting aspect.

That isn't to say that the tile under Slott didn't have action... it did. Just not a great deal of it. This was further hampered by the subpar artists who really didn't do justice to what action there was there. With the possible exception of Paul Pelletier, no one ever really managed to nail the infrequent action scenes... and of course, most of them managed to make She-Hulk look pudgy... hardly fitting for one of Marvel's strongest heroes - male or female.

Other complicating factors were that sometimes, Dan got a trifle bogged down in the minutiae of the comic books in comic books. It was a pre-established fact that events occuring in the Marvel universe are in fact put into comic books but at times, it seems that Slott almost goes out of his way to make sure that this comes into play in plots - even going so far as to have a little cast of comic book geeks who tend to the comic books of Jen's law firm (they're legally admissible as evidence, you know).

So, a somewhat mixed bag... opinions on it will be greatly shaped by what you think She-Hulk should be... Dan does somewhat walk the line at times but it would be wrong to say that he ever really strayed too far from the comedy... now that his run is almost up... what can we expect?

PAD has taken over as the main writer and he has left the future of the title suitably vague but it seems that the out and out comedy approach will be dropped in favour of something more serious and that the courtroom drama will be dropped in favour of something more action orientated.

In any event, Dan Slott certainly raised the profile of She-Hulk and probably increased her fan base. He has also taken on the honour of penning more She-Hulk comics than anyone else (taking the title from Byrne). Whatever you think of the title under Slott's auspices, as a character She-Hulk is probably in a much better place now than she was when he took her on and that should elicit some respect, from even the most grudging of fans.

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